Water is celebrated in lots of different cultures, but, despite that, you find recurring themes in those celebrations,” Jackson shares. “So I wanted to hone in on those ideas—ideals—such as love and rebirth and hope.”
In “Deep River,” originally adapted by composer Samuel Coleridge-Taylor in 1905 – through her harp’s fluid, celestial tones, Jackson breathes new life into this iconic spiritual. “In playing ‘Deep River,’ I’m transported to a place where I can access that kind of cultural memory,” Jackson explains. “Just imagining my ancestors singing that, and what the words would have meant. So as to tell their oppressors that they’re singing about one thing, but really, they’re communicating something else. Tapping into that ingenuity is so humbling.”
Take Me to the Water not only celebrates music’s ability to connect cultures and histories but also raises awareness of global water inequities, with 2.2 billion people still lacking access to safe water today. This dual focus amplifies Jackson’s belief in music’s power to inspire and heal.
With Take Me to the Water, Ashley Jackson establishes herself as a bold and visionary voice in and beyond classical music, elevating the harp as an instrument of deep emotional resonance and limitless possibilities. The album promises to be a replenishing and immersive experience, creating a sonic experience that is both grounded in history and forward-looking.
01. Radhe-Shyam
02. River Jordan
03. Deep River I
04. Deep River II
05. Unrest
06. Danse sacrée et danse profane, L. 103
07. Yemaya
08. Yemaya II
09. Troubled Water
10. Amen
11. Take Me To The Water
12. Take Me To The Water II